The Gods of
Heliopolis TEM, SHU,
TEFNUT
1.Tem
Tem was a form of the Sun-god, and was the great
local gods of that place. His name is connected with the
root tem, or temem, "to be
complete," "to make an end of," and he was
regarded as the form of the Sun-god which brought the day
to an end, i.e., as the evening or night sun . He is
always depicted in the human form. The attributes of the
god have been already described in the section which
treats of the forms of the god Ra.
2. Shu, or 3. Tefnut
Shu and his female counterpart Tefnut may be considered
together, at all events in the texts of the later
periods. The name Shu appears to be derived from the root
shu, "dry, parched, withered, empty,"
and the like, and the name Tefnut must be connected with tef,
or teftet, "to spit, be moist," and
the like; thus Shu was a god who was connected with the
heat and dryness of sunlight and with the dry atmosphere
which exists between the earth and the sky, and Tefnut
was a personification of the moisture of the sky, and
made herself manifest in various forms. The oldest legend
about the origin of the gods is contained in the text of
Pepi I., wherein it is said {line 465} that once upon a
time Tem went to the city of Annu and that he there
produced from his own body by the irregular means of
masturbation his two children Shu and Tefnut. In this
circle form the myth is probably of Libyan origin, and it
suggests that its inventors were in a semi-savage, or
perhaps wholly savage, state when it was first
promulgated. In later times, as we have already seen the
Egyptians appear to have rejected certain of the details
of the myth, or to have felt some difficulty in believing
that Shu and Tefnut were begotten and conceived and
brought forth by Tem, and they therefore assumed that his
shadow, khaibit, acted the part of wife to him;
another view was that the goddess Iusaaset was his wife.
The old ideas about the origin of the twin gods,
however, maintained their position in the minds of the
Egyptians, and we find them categorically expressed in
some of the hymns addressed to Amen-Ra, who under the New
Empire was identified with Tem, just as at an earlier
period Ra was identified with the same god. In two hymns
quoted by Brugsch we have the following : "O
Amen-Ra, the gods have gone forth from thee became Shu,
and that which was emitted by thee "became Tefnut;
thou didst create the nine gods at the beginning "of
all things, and thou wast." The Lion-gods are of
course, Shu and Tefnut, who are mentioned in the Book of
the Dead in several passages. In the second hymn to
Amen-Ra it is said, "SHU AND TEFNUT, "Thou art
the One god, who didst form thyself into two gods,
"hou art the creator of the Egg, and thou didst
produce thy Twin-gods." In connection with the
production of Shu and Tefnut. Dr. Brugsch refers to the
well-known origin of the gods of Taste and Feeling, Hu,
and Sa, who are said to have sprung into being from the
drops of blood which fell from the phallus of Ra, and to
have taken up their places among the gods who were in the
train of Ra, and who were with Temu everyday. {Book of the Dead, xvii 62}.
Shu is represented in the form of a man who wears upon
his head one feather, or two, or four, the phonetic value
of the sign is shu, and the use of it as the
symbol of the god's name seems to indicate some desire on
the part of the Egyptians to connect the word shu,
or shau, "feather," with shu,
"light, empty space, dryness," etc. As the god
of the space which exists between the earth and the sky,
Shu was represented under the form of a god who held up
the sky with two hands, one supporting it at the place of
sunrise, and the other at the place of sunset, and
several porcelain figures exist in which he is seen
kneeling upon one knee, in the act of lifting up with his
two hands and the sky with the solar disk in it. when Shu
wears no feather he bears upon his head the figure of the
hind-quarter of a lion, prh; in mythological
scenes we find him both seated and standing, and he
usually holds in one hand the scepter, and in the other.
In a picture given by Lanzone he grasps in his left hand
a scorpion, a serpent, and a hawk-headed scepter. The
goddess Tefnut is represented in the form of a women, who
wears upon her head the solar disk encircled by a
serpent, and holds in her hands the scepter, and; she,
however, often appears with the head of a lioness, which
is surmounted by a ureah, and she is sometimes depicted
in the form of a lioness.
Shu
An examination of the texts shows that Shu was a god of
light, or light personified, who made himself manifest in
the beams of the sun by day, and in the light of the moon
by night, and his home was the disk of the sun. Viewed in
this connection it is easy to understand the scene in
which the god appears rising up from behind the earth
with the solar disk upon his head, and his hands
supporting that upon which it rests. In text at Edfu
published by Bergmann, the creator of Shu is called
Tauith, and to him the king who caused the words to be
inscribed is made to say, "Thou hast emmitted
{asheh} Shu, and "he hath come forth from thy
mouth...He hath become a "god, and he hath brought
for thee every good thing; he hath toiled for thee, and
and he emitted for thee in his name of Shu, "the
royal double. he hath labored for thee in these things,
and he beareth up heaven upon his head in his name of
Shu, and Tauith giveth the strength of the body of heaven
"in his name of Ptah. He beareth up for thee
"heaven with the hands in his name of Shu the body
of the "sky." It must be noted that the same
word asheh is used to express both the idea of
"pouring out" and "supporting," and
it is difficult to reconcile these totally different
meanings unless we remember that it is that which Tem. or
Ra-Tem, has poured out which supports the heavens wherein
shines the Sun-god. That which Tem, or Ra-Tem, has poured
out is the light, and light was declared to be the prop
of the sky.
From a number of passages examined by Dr. Brugsch we find
that Shu was a personification of the rays which came
forth from the eyes of Ra, and that he was the soul of
the god Khenmu, the great god of Elephantine and the
First Cataract; he also
represented the burning, fiery heat of the sun at noon,
and the sun in the height of summer.
In another aspect his abode was the region between the
earth and the sky, and he was a personification of the
wind of the North; Dr. Brugsch went so far as to identify
him with the "spiritual Pneuma in a higher
sense," and thought that he might be regarded as the
vital principle of all living beings. He was certainly,
like his father Tem, thought to be the cool wind of the
North, and the dead were grateful to him for his breezes.
Shu was, in fact, the god of the space which filled with
the atmosphere, even as Ra, was the god of the heaven,
and Seb the god of the earth, and Osiris
the god of the Underworld. From the Book of the Dead {xvii. 16} we
learn that Shu and Tefnut were supposed to possess but
one soul between them, but that the two halves of it were
identified with the soul of Osiris and the soul of Ra,
which together formed the great double soul which dwelt
in Tattu. The gate of the pillars of Shu" {xvii.
56}, and Shu and Tefnut laid the foundations of the house
in which the deceased was supposed to dwell. From the
xviiith Chapter of the Book of the Dead we find that the
princes of Heliopolis were Tem, Shu, Tefnut, Osiris, and
Thoth, and that Ra, Osiris, Shu, and Bebi were the
princes of the portion of the Underworld which was known
by the name of Anrut-f. We may note in passing that Bebi,
or Baba, or Baba or Babai, was the first-born son of
Osiris. According to Dr. Brugsch, Baba was personified in
the form of some Typhonic mythological animal, and was
the god who presided over the phallus; the blood which
fell from his nose grew into plants which subsequently
changed into cedars. Dr. Pleyte has rightly identified
Bebi or Baba with the Bebwv or Bebwva of Plutarch {De
Iside, 62} and with the Babus of Hellanicus. Bebon was a
name of Typhon, i.e., Set, and that
he was represented by an animal is proved by the
hieroglyphic form of his name, which is determined by the
skin of an animal, In chapter xxiii. the deceased prays
that his "mouth may be unclosed by Shu with the iron
knife wherein he opened the mouth of the gods." From
Chapters xxxiii. and xxxv. we learn that Shu was believed
to possess power over the serphants, and he it was who
made the deceased to stand up by the Ladder which would
take him to heaven {xcviii. 4}. That souls needed a
ladder whereby to mount from earth to heaven was a very
ancient belief in Egypt. The four pillars which held up
the sky at the four cardinal points were called the
"pillars of Shu" {cix. 5, cx. 13}, and Shu was
breath of the god Ra {cxxx. 4}. The deceased was
nourished with the food of Shu, i.e., he lived upon
light; and in the Roman period Shu was merged in Ra, the
god of light. The part played in Egyptian mythology by
Tefnut is not easily defied, and but little is known
about her. In the text of Unas {line 453} she is
mentioned together with the two Maat goddesses, and with
Shu, but curiously enough, she seems to appear as the
female counterpart of a god called Tefen. The passage
reads, "Tefen and Tefnet have weighed Unas, and the
"Maat goddesses have hearkened, and Shu hath borne
witness," etc. In the Theban Recension of the Book
of the Dead she is mentioned a few times in connection
with Shu {Chapters xvii., cxxx, etc.} and she is one of
the group of gods who form the divine company and the
"body and soul of Ra" {cxl.7}, but she performs
no service for the deceased beyond providing him with
breath. She was originally a goddess of gentle rain and
soft wind, but at a comparatively late period of Egyptian
history she was identified with Nehemauit at Hermopolis,
with Menhit at Latopolis, with Sekhet in Memphis, and
with Apsit in Nubia.
Unlike most of the gods of Egypt, Shu and Tefnut do
not appear to have had set apart for them any special
city or district, but at the same time titles were given
to certain cities which presupposed some connection
between them and these gods. Thus Dendera was called
Hinu-en-Shunefer, and Edfu was the "Seat of Shu, and
Memphis bore the name of "Palace of Shu,"
Similarly, one portion of Dendera was known as the
"House of Tefnut," or the "Aat of
Tefnut," or. Whether there were statues of Shu and
Tefnut in these cities cannot be said, but it is very
probable that they were worshipped in the sanctuaries
under the forms of lions, and in connection it is worthy
of note that Aelian records {De Nat, Animal. xii. 7 that
the people of Heliopolis worshipped lions in the temple
of Helios.
It has already been mentioned that Shu was the
sky-bearer par excellence, and we may note in
passing the interesting myth which the Egyptians
possessed about him in this capacity, and the explanation
which they gave of his occupying this portion. According
to the text which found in the tomb of Seti I. in the
Valley of the Tombs of the Kings at Thebes, in very
remote times, when Ra ruled over gods and men and had his
throne established in the city of Suten-henen, or
Henen-su, mankind began to utter seditious words against
him, and the great god determined to destroy them. He
summoned Hathor, Shu, Tefnut, Seb, and Nut into his
presence, and having told them what men, who had
proceeded from his eye, had been saying about him, he
asked them for their advice, and promised that he would
that he would slay the rebels until he had heard what the
first-born god" and the "ancestor gods"
had to say on the matter. In answer to this the
first-born god Nu, advised him to let his daughter
Hathor, "the eye of Ra," go forth and slay men;
Ra accepted the advice straightway, and Hathor went forth
and slew all mankind, and when she returned Ra was
pleased with her. Soon after this he became wearied with
the earth, and the goddess Nut having been turned into
the cow he mounted upon her back and remained there, but
before long the cow began to shake and to tremble because
she was very high above the earth, and when she
complained to Ra about it he commanded Shu to be a
support to her, and to hold her up in the sky. In the
picture of the cow which accompanies the text we see her
body resting upon the head and the two raised hands and
arms of the god. When Shu had taken up his place beneath
the cow and was bearing up her body, the heavens above
and the earth beneath came into being, and the four
cardinal points; and thus it came to pass that the god
Seb and his feamle counterpart Nut began their existence.
SEB
Seb was the son of Shu and Tefnut, and was the brother
and husband of Nut, and the father of Osiris and Isis, Set and Nephthys,
and some say of one of the Horus
gods; according to the late Dr. Brugsch his name should
be read Geb or Keb, or Gebb, or Kebb, and in every early
times this undoubtedly seems to have been the correct
form of the god's name. He is usually represented in the
form of a man who bears his head either the white crown,
or the crown of the North, to which is added the Atef
crown, or a goose, or the peculiar species called seb.
This bird was sacred to him because he believed to have
made his way through the air in its form. Seb was the god
of the earth, and the earth formed his body and was
called the "house of Seb," just as the air was
called the "house of Shu," and the heaven the
"house of Ra," and the Underworld the
"house of Osiris," As the god of the surface of
the earth from which spring up trees, and plants, and
herbs, and grain he played a very prominent part of the
earth beneath the surface of the ground he had authority
over the tombs wherein the dead were laid. In hymns and
other compositions he is often styled the erpat, i.e.,
the hereditary, tribal chief of the gods, and he plays a
very important part in the Book of the Dead. Thus he is
one of the company of the gods who watch the weighing of
the heart of the deceased in the Judgement Hall of
Osiris, and on his brow rested the secret gates which
were close by the Balance of Ra, and which were guarded
by the god himself {xii. 2}
The soul of Seb was called Sham-ur, {xvii. 116} The
righteous who were provided with the necessary words of
power were able to make their escape from the earth
wherein their bodies were laid, but the wicked were held
fast by Seb {xix. 14}; Seket and Anpu were great helpers
of the deceased, but it was Seb whom he asked to open
wide his two jaws for him, whom he begged to open his
eyes, and loose his legs which were bandaged {xxvi. 1}.
And of him the deceased said, "My "father is
Seb, and my mother is Nut" {xxxi. 5}. Like Shu the
god Seb was appealed to by the deceased for the help
against serpents {xxxiii. 2}, and he was never tired of
boasting that his cakes were "on the earth with the
god Seb" {lii. 4}, and that the gods had declared
that he was "to live upon the the bread of Seb"
{lxviii. 9}. In a burst of joy, Nu, the overseer of the
house of the overseer of the seal, is made to say,
"The doors of heaven are opened for me, the
"doors of earth are opened for me, the bars and
bolts of Seb are "opened for me" {lxviii. 2},
and I exchange speech with Seb, the "lord of the
earth, and the protector therein. The mine"
{lxxx,11,12}
The religious texts show that there was no special
city or district set apart for the god Seb, but a portion
of the temple estates in Apollinopolis Magna was called
the "Aat of Seb," and a name of Dendera was
"the home of the children of Seb,". The chief
seat of the god appears to have been at Heliopolis, where
he and his female counterpart Nut produced the great Egg
from which sprang the Sun-god under the from of a
phoenix. Because if his connection with this Egg Seb is
sometimes called the "Great Cackler,"
Kenken-ur,. Thus the deceased says. Hail, thou god Tem,
"grant unto me the sweet breath which dwelleth in
the nostrils. "I embrace that great throne which is
in the city of Hermopolis, "and I keep watch over
the Egg of the Great Cackler {or, "according to
another reading, I am the Egg which is in the Great
Cackler, and I watch and guard that mighty thing which
"hath come into being wherewith the god Seb hath
opened the "earth}, I germininate as it germinateth;
I live as it liveth; and "{my} breath is {its}
breath" {Book of the Dead, Chapters liv.,
"lvi., lix.}.
The name of the phoenix in Egyptian is "Bennu," and this bird played a
very prominent part in mythology, but the texts do not
bear out the extraordinary assertions which have been
made about it by classical writers. According to the
story which Herodoyus heard at Heliopolis {ii. 73}, the
bird visited that place once every five hundred years, on
its father's death; when it was five hundred, or fourteen
hundred and sixty-one years old, it burnt itself to
death. It was supposed to resemble an eagle, and to have
red and gold feathers, and to come from Arabia;. Before
its death it built a nest to which it gave the power of
producing a new phoenix, though some thought that a worm
crept out of its body before it died, and that form it
the heat of the sun devloped a new phoenix. Others
thought that it died after a life of seven thousand and
six years, and another view was that the new phoenix rose
from the burnt and decomposing remains of his old body,
and that he took these to Heliopolis where he burnt them.
All these fabulous stories are the result of
misunderstandings of the Egyptian myth which declared
that the rerewed morning sun rose in the form of a Bennu, and the belief which declared
that this bird was the soul of Ra and also the lining
symbol of Osiris, and that it came forth from the very
heart of the god. The sanctuary of the Bennu was the sanctuary of Ra and
Osiris, and that it came forth from the very heart of the
god. The sanctuary of the Bennu
was the sanctuary of Ra and Osiris, and was called Het Benben, i.e., the "House of
the Obelisk," and remembering this is easy to
understand the passages in the Book of the Dead, "I
go in like the "Hawk , and I come forth like the Bennu, the Morning Star {i.e.,
"the planet Venus} of Ra " {xii. 2]; "I am
the Bennu, which is in
"Heliopolis" {Xvii.27}, and the scholion on
this passage expressely informs us that the Bennu is Osiris. Elsewhere the
deceased says, "I am the Bennu, the soul of Ra, and
the guide of the gods "in the Tuat; {xxix.c 1}; let
it be so done unto me that I may come forth like Bennu,
"the Morning Star" {cxxii.} On a hypocephalus
quoated by Prof. Wiedemann, the deceased to transform
himself into a Bennu bird if he
felt disposed to do so; in it he identifies himself with
the god Khepera, and with Horus, the vanquisher of Set,
and with Hhensu.
It has already been said that Seb was the god of the
earth, and the Heliopolitans declared that he represented
the very ground upon which their city stood, meaning that
Heliopolis was th birthplace of the company of the gods,
and in fact the work of creation began there. In several
papyri we find pictures of the first act of creation
which took place as soon as the Sun-god, by whatsoever
name he may called, appeared in the sky, and sent forth
his rays from the heights of heaven upon the earth, and
in these Seb always occupies a very prominent position.
He is seen lying upon the ground with one hand stretched
out upon it, and the other extended towards heaven, which
position. seems to be referred to in the text of Pepi I.
lines 338,.339, wherein we read,
SEB AND NUT
"Seb throws out his {one} hand to heaven and his
{one} hand "towards the earth," By his side
stands the god Shu, who supports on his upraised hands
the heavens which are depicated in the form of a women,
whose body is bespangled with stars; this women is the
goddess Nut, who is supposed to have lifted up from the
embrace of Seb by Shu when he insinuated himself between
their bodies and so formed the earth and the sky. This
was the act of Shu which brought into being his heir Seb,
and his consort Nut, and it was the heirship of this god
which the kings of Egypt boasted they had received when
they sat upon their thrones.
Seb was the hereiditary tribal chief of the gods, and
his throne represented the sovereignty both of heaven and
of earth; as a creative god he was identified with Tem,
and so, as Dr. Brugsch pointed out, became the
"father of his father." As an elementary god he
represented the earth, as Ra did fire, and Shu air, and
Osiris water. In some respects the attributes of Nut were
assigned to him, for he is sometimes called the lord of
the watery abyss, and the dweller in the watery mass of
the sky, and the lord of the Underworld. He is also
described as one of the porters of heaven's gate, who
draws back the bolts, and opens the door in order that
the light of Ra may stream upon the world, and when he
set himself in motion his movements produced thunder in
heaven and quaking upon earth. He was akin in some way to
the two Akhru gods, who were represented as a lion with a
head at each end of its body; this body was a
personifaction of the passage in the earth through which
the sun passed during the hours of night from the place
where he set in the evening to that where he rose the
next morning. The mouths of the lions formed the entrance
into and the exit from the passage, and as the head of
one lion sympolized the morning and the east, in later
days each lion's head was provided with a separate body,
and the one was called Sef, i.e.,
"Yesterday," and the other was called Tuau,
i.e., "Today" {Book of the Dead, xvii, lines
14, 15}. though he was god of the earth Seb also acted as
a guide to the deceased in heaven, and he provided him
with meat and drink; numerous passages in the Book of the
Dead refer to the gifts which he bestowed upon Osiris his
son, and the deceased prayed fervently that he had
bestowed upon him the same protection and help which he
had bestowed upon Osiris.
In two passages in the Book of the Dead {Chapter xxxi.
3 of the Saite Recension; and Chapter lxix.7, Theban
Recension} we appear to have an allusion to a myth
concerning Seb which is otherwise unknown. In the former
the deceased says, "I even I, am Osiris, who shut in
his father Seb together with his mother "Nut on the
day on the day of the great slaughter. My father is Seb
and my mother is Nut"; and the latter he says,
"I even I, am Osiris, "who shut in his father
together with his mother on the day of "making the
great slaughter," and the text adds, "now, the
father is Seb, and the mother is Nut." The word used
for "slaughter" is shat, and there is
no doubt whatsoever about its meaning, and according to
Dr. Bruhsch we are to understand an act of
self-mutilation on the part of Ra, the father of Osiris,
simular to that which is referred to in the Book of the
Dead, Chapter xvii, line 61. According to this passage
the gods Ammiu, sparng from the drops of blood which fell
from Ra after the process of mutilation, and Dr. Brugsch
compared the action of Osiris in shutting in, his father
Seb with the punishment which Kronos inflicted upon his
father Uranus because he threw the Cyclopes into
Tartarus, and the Ammiu gods had an origin somewhat
simular to that of the Erinnyes.
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